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"Child, they're seeking weakness tonight."

Cloudy here today. Cloudy and rainy and currently only 64˚F. The only upside is that Memorial Day weekend has been ruined for the tourists flooding into South County.

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Yesterday, I wrote 1,636 words and finished Alabaster: Boxcar Tales #13. Which finishes Alabaster: Boxcar Tales.

Spooky and I both got weepy, reading back over the last script.

Last week I spoke with my editor at Dark Horse and told him that it was time for me to step back from both Dancy and comics for the foreseeable future. That, after almost two years of pretty heavy involvement on this project, it was time to refocus my attention on my prose work. It felt a lot like I was tendering my resignation, like quitting a job, though it doesn't truly amount to quite that. It just means that, for the time being, I'm choosing to concentrate on other projects. In a lot of ways, working in comics is far more stressful than prose publishing, and, right now, I've got to decrease the stress in my life.

That said, working with Dark Horse has been a marvelous experience, and I thank everyone I've worked with – Rachel, Jemiah, Daniel, Shantel, Mike, Steve, Greg, Rachelle, Augie, and Spencer – for making Alabaster: Wolves and Alabaster: Boxcar Tales happen. I'm not an easy person to work with, and you've all shown admirable patience. I especially thank the many readers and reviewers who've believed in the books. Thank you. And if you are a fan, don't be sad.

There will be additional Dancy material from Dark Horse, but I'm not yet at liberty to announce what it will be or when it will be released. I'll make those announcements when I'm told that I can.

Into the Light of the Dark Black Night.
Aunt Beast

Comments

readingthedark
May. 24th, 2013 06:33 pm (UTC)
As always, I'm impressed by what you've accomplished and I look forward to what you're going to do.
readingthedark
May. 24th, 2013 08:06 pm (UTC)
Oh, and--even though it is always so reductive to describe people based on their siblings--you can say that you have a professional working relationship with the brother of one of the people who wrote the John Carter movie, which is irrefutably bow tie.