Into the last good fight I'll ever know.
Live and die on this day.
Live and die on this day.
Indeed, it is my birthday. And here I am, some -08 years after my unlikely birth in the year 1964 (of the Gregorian calendar). And, oh my motherfucking god, I just fucking realized something amazing! 1964 was a leap year, so, on years that are not leap years (unlike this one), my birthday is actually May 27th. Motherfucker. Weird. Anyway, my thanks to everyone who has sent well wishes and gifts. There are truly too many of you. It makes my head swim a bit. Life may be a steaming shitstorm, but at least there's you lot, kittens.
I'm hoping that I will soon be able to make an announcement about the future of the Alabaster comic. Hang tight.
Spooky is having a Caitlín Was (Most Years) Actually Born on the 27th of May Sale in her Dreaming Squid Dollworks and Sundries Etsy Shop. Cool and bow-tie stuff, with FREE SHIPPING, which will run through Monday. In order to take advantage of the sale, you need to use this code during checkout: CRKBIRTHDAY.
Last night was Kindernacht, of course. After the ritual of an atomic fireball (complimentary from Acme Video), we began our double feature with Olivier Megaton's Colombiana (2011; a film made with the involvement of such film heroes of mine as Luc Besson, Ridley Scott, and Tony Scott). A very enjoyable crime thriller, and, hey, a big dose of Zoe Saldana! Also, Cliff Curtis, and I never get enough of him. The film is smarter and darker than I expected. The ending didn't flinch from the logical consequences following from it's events, a thing always and forever to be admired.
But, Colombiana paled into insignificance by the unexpected jolt of our second feature, Joe Carnahan's The Grey (2011), which I'd not heard of and picked up based on the synopsis on the box and the fact I find Liam Neeson sexy. Anyway, now, here's the director who made Smokin Aces (2002) (a good film, but...) and (**cough cough**) The A-Team (2010). The very last person on earth – okay, that's a lie. Still. Not the man I'd have expected to make the best film I've seen since Terrence Malick's The Tree of Life (2011). I am not heaping hyperbole. This film instills one with a nigh unto indescribable sense of cosmic wonder and dread, and it is beautiful. The cinematography (Masanobu Takayanagi) and the score (Marc Streitenfeld) went a long way to setting this film on the road to brilliance, and every performance is marvelous. Okay, I'm saying too much. You simply have to see it. Please. Trust me.
And Now I'm Even Older,