1) The first announcement, plus an exclusive (and informative) interview at Comic Book Resources.
2) A large, full-colour version of the cover for #1, by the amazing Greg Ruth.
3) The official Dark Horse press release.
Here's a secret I've carried since late last year. If you guys think it was hard waiting a week to hear the news, imagine my having to wait the better part six months to see the announcement! Actually, my first meeting with Dark Horse was in Portland last year, during the H. P. Lovecraft Film Festival. Since then, I knew I would be doing something with Dark Horse, but many possible projects were tossed about.
Then it was decided last November that I would do an illustrated Dancy Flammarion prose story for Dark Horse Presents #9. I wrote the prose story, "Bus Fare," (delivered on April 12th). And then, in late May, it was decided that the prose story would become a comic, but would still appear in DHP #9, and would still be titled "Bus Fare." And then things...took off. By July, I knew there would be an actual Alabaster comic series, beginning in 2012, and that the eight-page "Bus Fare" would become the first eight-pages of the first issue. Except, those eight pages grew into twenty-four pages, and I finished the first issue in September. The second was written in October. "Wolves" became the title for the first mini-series, which will, later, be collected in hardback format, and then in trade paperback. The first issue will be released in April 2012. The Eisner-Award nominated Steve Lieber is the series' artist, and he's making wonderful things from my scripts. My editor is the vivacious Rachel Edidin.
I'm not sure if this question was answered in the interview, but I'll answer it again here. It is no secret that I was pretty much never happy at DC/Vertigo, at least not after 1997 (though, yes, there were two attempts to return to work with them after The Sandman Presents – Bast: Eternity Game . Longtime blog readers will recall the work I did trying to get two titles*, first The Chain [2004, with Ted Naifeh] and then Bullet Girl [2005, with Peter Gross, which was, by the way, an utter and protracted nightmare, insuring I would never again even speak with anyone at DC**]). After 2005, I declared I would never again work in comics, unless, perhaps, certain criteria were met. The first of these was that the project would be 100% creator-owned. Suffice to say, Dark Horse was agreeable. Dancy Flammarion remains my own. The stories I will write for Dark Horse remain my own. All of it. Had Dark Horse not agreed to this particular point, this wouldn't be happening.
Gods, I'm probably leaving out a lot. But there are still things I'm not at liberty to discuss, and this is already a lot – what I've said here – and I'm haggard. I'll probably think of more stuff by tomorrow. Feel free to ask questions. I just can't promise I can answer them (questions I cannot answer, I'll simply not answer). Meanwhile, as they say, "Happy, happy, joy, joy."
Wearily Glad to Have That Out,
* Well, there's a future Sirenia Digest story, with art.
** That both projects went south was not the fault of the artists. They both rocked through the bullshit, and continue to do so.