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Irene Day 3

Okay, so even though I got up about an hour early, I'm running about an hour late, and I blame you, Johnathan Strahan, and you, Gary K. Wolfe. And this Coode Street Podcast, which will have me smiling for days to come. And, of course, now I'm dying to see Gary's Locus review of Two Worlds and In Between: The Best of Me (Volume One). I was especially pleased with their suspicion that Volume Two is going to be so much better than Volume One (because it will be).

Comments today, kittens! I need them.


Yesterday, after I attended to email (Michael Zulli and I seem to have become regular correspondents, which is just too cool), we left Providence, about 3 p.m.. And drove south to Exeter, in the southwestern quadrant of Rhode Island. Throughout Blood Oranges I've been doing something I never do with novels: I haven't spent much time scouting locales. To keep with the fast-pace of the book, I've relied on my memories. But the climactic scene occurs in Exeter, where I've spent very little time. Now, if you're into the weird of New England, or vampire lore, you know all about the Mercy Brown incident (and the related cases of New England "vampires"). I've read Michael E. Bell's superb book on the subject, Food for the Dead, and used the case in several stories. Yet, I'd never visited the grave. Nor had Spooky, which is even odder. So, yesterday we set out to remedy this.

It could hardly have been a less appropriate day, if you're the sort who wants some appropriately eldritch atmosphere for such an outing. The sun was blazing, and there's virtually no shade in the Chestnut Hill Cemetery. The temperature must have been in the mid-eighties Fahrenheit, with heat indexes close to ninety. But I think Spooky and I were both happy that we weren't making some cliché goth pilgrimage. We followed Ten Rod Road (Route 102) to Exeter and the Chestnut Hill Baptist Church (behind which the cemetery is located). Mercy's grave is a simple marble marker, unassuming, and unlike that of Nellie Vaughn – another tuberculosis victim that superstitious locals feared was an undead, life-draining revenant (oh look, LJ can't spell revenant) – there's no inscription that could be taken the wrong way. Vaughn's grave, in Greenwich (Gren-itch), reads: "I am waiting and watching you." Anyway, there is at least a large cedar that shades Mercy's stone. As with HPL's marker, people had left tokens on the headstone. I left a small black pebble. There are photos behind the cut.

After Exeter, and all the notes carefully recorded in my Moleskine, we headed over to Newbury Comics in Warwick (War-ick) to kill some time until it was cool enough to make the drive down to Moonstone Beach. And we were Bad Kids, and each bought two CDs. Not being utterly destitute after the long monetary drought, these things happen. And they were all used CDs. I got Death Cab For Cutie's Plans and Placebo's Once More With Feeling: Singles 1996-2004. Spooky got Einstürzende Neubauten's Strategies Against Architecture, Volume 4 and the Swans' Children of God. We were not utterly awful, though; we only looked at the amazing new Depeche Mode boxed set.

After Warwick, we headed south to Moonstone. And, of this beach's many moods, here was another one. One perched at the edge of a tremendous chaos. Already, the waves were dangerously high, at least 3-5' high, and a big yellow sign had been posted forbidding people from walking on even the lower part of the beach. Walking over the dunes, past Trustom Pond, where a few bird watchers were set up (the birds were all in a lather, as the storm approaches), we spotted a beautiful Green Heron (Butorides virescens), a new species for both of us. It was perfectly still at the edge of the pond, fishing. A tiny Piping Plover kept creeping near it, then dashing away again. But no cormorants anywhere, no gulls in the sky. Flocks of pigeons heading inland. A squawking catbird. A strange and ominous ornithology.

On the beach proper, well...I can't do it justice in words. A painter could have done it justice. I'll post photos over the next few days (assuming we don't lose power). There were a few people. We walked a long way (maybe .40 miles, so .80 altogether) as the sun was setting. The wind was chilly, very wet and misty, quite a change from Exeter. We saw all manner of flotsam and jetsam. We spotted the leathery remains of a skate (Family Rajidae, maybe a Thorny Skate), and another beachcomber told us that a Leatherback Turtle (Dermochelys coriacea) was stranded at Moonstone on the 9th of the month. Oh, the wonders I miss by not being nearer the shore! Fuck you, motor boats; the turtle likely died from gash in a front flipper, from a propeller. As the sun was giving way to night, beneath a Maxfield Parish sky, we reluctantly headed back to the van. I wanted to spend the night in the dunes, just feeling the storm coming on.

Back in Providence, we stopped by Eastside Market to grab a last minute pile of supplies, readying to sit out what Irene throws our way (I've heard we're getting 18 hours of continuous tropical storm conditions), and we remain under a Hurricane Warning. Anyway, there was a package from an incredibly kind anonymous individual – a first edition (!!!) of Shirley Jackson's The Sundial, sent from The Strand in Manhattan. Whoever did this, a million thanks.


Good RP in Insilico, and some of The Stand last night, as Trashcan reached Las Vegas.


So, we're watching little but the progress of Irene up the Eastern Seaboard. Terrifying, this storm, and, as I have said, I am honestly more worried about Manhattan than I am about Providence. Regardless, stay safe. Don't laugh this one off. Not since Katrina has America faced such a threat from a hurricane. We've got mandatory evacuations in coastal and low lying areas here in Rhode Island. But regardless of my fear (and I am afraid of this storm), gods, what a splendid expression of sky and sea, this child of Panthalassa. The sea stands up and walks across the land. This has been happening for billions of years, and we're the ones in the way. This doesn't mean I am without concern. It only means I see both sides.

Concerned and Awed,
Aunt Beast

Anyway, here are the Exeter photos:

At the northern edge of Chestnut Hill Cemetery is this crypt where Mercy Brown's body was kept (January 1892) prior to performing the "vampire ritual" (March 17, 1892). The ground was too hard, frozen, to dig a grave in January.

The gravestone of Mercy L. Brown, purported vampire, actual tuberculosis victim.

This is how you stop a vampire's headstone from being stolen by idiots.

One of many tokens on the grave.

Many other tokens atop the headstone (mine at far left).


Aunt Beast by the marker; not at her most glamorous. It was fucking hot.

Spooky got this amazing photo of a dragonfly, perched on the seedpod of a Spanish bayonet (a plant that just doesn't belong in New England).

Closeup of Spanish bayonet seed pod, open.

View to the southeast, from Mercy's grave, towards the church and grange hall.

So no necking and heavy petting with the dead folks!

Chestnut Hill Baptist Church (ca. 1838)

Exeter Grange Hall.

All photographs Copyright © 2011 by Caitlín R. Kiernan and Kathryn A. Pollnac

Addendum: This entry took over two and a half hours to compose.


Aug. 28th, 2011 12:32 am (UTC)
Please allow me to introduce myself...
Hello! *waving* Please bear with me; this is kind of a thing for me because I have been "psyching" myself up to directly contact you for some time. Disclaimer: I PROMISE I am not a crazy stalker, really! My name is Jaime (I also do go by Lilith) and I am an English professor at a NYC college. I am a long-time lurker on your blog and an even longer-time reader of your works and am generally in awe of you and your writing, which is why it took me so long to post here. (I realize this does not make me sound like less of a stalker but I am REALLY not one!) I have used your short story "Bela's Plot" in a course I created and taught on women and gothic fiction. I am also finishing up my Ph.D. in literature and I discuss your work in one of my chapters. (I'll be happy to send you that section for your review if you want but it is entirely complimentary; you could distill my discussion by saying "Caitlin Kiernan is teh win.")

Incidentally, PLEASE don't read my LJ blog; I have not posted in over five years. I was re-reading it tonight and I realize I was a much more shallow, self-absorbed, and whiny person five years ago than I hope I am now. Please don't judge me by my immature rantings!

I just wanted to say thank you for your concern about Manhattan; I too am worried about the storm but I am not really worried about New Yorkers. I was in the city until late last night and people are mostly being safe and reasonable about the hurricane threat. New Yorkers know how to take care of themselves and each other. Most of what is being broadcast on the national news (i.e., evacuations, flooding, ConEd shutdowns, etc.) applies exclusively to lower Manhattan. I personally am located in the Bronx and we (my partner and I) are not even in a threat zone! We have stocked up on food and water and our biggest problem at the moment is that our cats (Lenore, Annabel Lee, and Ligeia) are getting a bit crazy due to the storm!

I am actually a wee bit more worried for you and your partner in Rhode Island as that is more coastal. I lived in Massachusetts during hurricane Bob; please stay safe! :)

My partner has had the local news on since this morning; a big part of me is very mad at all the people in coastal areas who refuse to evacuate (mostly because if conditions get really bad, people from the Coast Guard, National Guard, and/or NYC employees will have to risk their LIVES to rescue the hold-outs!) However, by the same token, an atavistic part of me wishes I could be on the water to see Irene arrive. I am TOTALLY with you when you speak about the sublime nature of this storm. As Roethke said (and yes, I am showing off here because I want you to like me):

The Storm by Theodore Roethke

Against the stone breakwater,
Only an ominous lapping,
While the wind whines overhead,
Coming down from the mountain,
Whistling between the arbors, the winding terraces;
A thin whine of wires, a rattling and flapping of leaves,
And the small street-lamp swinging and slamming against
the lamp pole.

Where have the people gone?
There is one light on the mountain.


Along the sea-wall, a steady sloshing of the swell,
The waves not yet high, but even,
Coming closer and closer upon each other;
A fine fume of rain driving in from the sea,
Riddling the sand, like a wide spray of buckshot,
The wind from the sea and the wind from the mountain contending,
Flicking the foam from the whitecaps straight upward into the darkness.

A time to go home!...


We creep to our bed, and its straw mattress.
We wait; we listen.
The storm lulls off, then redoubles,
Bending the trees half-way down to the ground,
Shaking loose the last wizened oranges in the orchard,
Flattening the limber carnations.

A spider eases himself down from a swaying light-bulb,
Running over the coverlet, down under the iron bedstead.
Water roars into the cistern.

We lie closer on the gritty pillow,
Breathing heavily, hoping--
For the great last leap of the wave over the breakwater,
The flat boom on the beach of the towering sea-swell,
The sudden shudder as the jutting sea-cliff collapses,
And the hurricane drives the dead straw into the living pine-tree.

Please be safe and well, everyone!