1. My thanks to Steven Lubold and Gordon Duke for marvelous Solstice gifts. And a huge thanks to Kim, who gifted me and Spooky with a household membership to the Providence Athenaeum; this will be of enormous help with my writing. You are all too kind, truly.
2. An amazing number of copies of Two Worlds and In Between: The Best of Caitlín R. Kiernan (Volume One) have sold in the last two days (375+). Indeed, almost the entire planned printing of the limited edition. In response to demand, Subterranean Press has decided to increase the limited edition's printing from 400 copies to 600 copies. I'm used to my subpress books— especially the limiteds —selling out prior to publication, but I'm told this book "is pre-selling better than anything of yours we've ever announced." So, thank you all. The sale prices are still good, the limited for $40 (regularly $60), though I think the sale ends soon. Someone asked about the print-run for the trade edition, and I think it's somewhere around 2,000 copies (but don't hold me to that). Also, I can now announce that the book's cover will be done by Lee Moyer, an artist I met at the Lovecraft Film Festival and immediately wanted to work with.
3. More subpress news: My sf story, "Hydrarguros" is being reprinted in the forthcoming anthology Subterranean: Tales of Dark Fantasy 2, and "The Melusine (1898)" will be appearing in an upcoming issue of Subterranean Magazine. But it's probably bigger news that several of my out-of-print subpress anthologies will soon be available in ebook editions for the Kindle (but no, not other readers/formats). From Weird and Distant Shores, Tales of Pain and Wonder, To Charles Fort, with Love, Alabaster, and A is for Alien will all be available for the Kindle in 2011.
4. I wish I were presently coherent enough to be articulate about Darren Aronofsky's Black Swan, but I'm too drugged and sleep deprived. I say again, this may well be my favorite film of the year, and it's certainly one of Aronofsky's best (which is saying a lot). I hesitated to use the word lycanthropy in connection with the film, as there are no wolves in sight, but then I see the director has said "I liked this idea that we were kind of making a werewolf movie, except it was a were-swan movie." But, that said, the film transcends all genre tropes and conventions. This is, first and foremost, a film about seeking perfection in one's art, about the limits of the mind and flesh, about escaping repression and one's own mental and physical limitations. It's a film about insanity, and also a film about going sane. It might be the most emotionally devastating film I've seen since John Hillcoat's adaptation of Cormac McCarthy's The Road. The imagery is breathtaking, as in, I truly found myself not breathing as the images passed before my eyes. Natalie Portman's acting is a revelation, and Clint Mansell's score is, not unexpectedly, brilliant.
5. A good visit from Sonya (sovay) and Geoffrey (readingthedark). We read chapters One and Two of The Drowning Girl: A Memoir on Tuesday night, then Chapter Three on Wednesday afternoon. I am relieved to see that it works. So, thank you Sonya and Geoffrey, and huge thanks to Spooky, who read all 135 pages of the manuscript aloud.
6. On Tuesday, the I received my comp copy of John Joseph Adams new anthology of dystopian fiction, Brave New Worlds, which reprints my sf story "The Pearl Diver," along with stories by the likes of Ray Bradbury, Shirley Jackson, Neil Gaiman, Philip K. Dick, Kurt Vonnegut, Ursula K. LeGuin, J. G. Ballard, and, truly, many others.
7. And now, it's time to make the doughnuts. Today will be editing (despite my zombie-like state), so that I can get to Sirenia Digest #61, so that I can get back to work on The Drowning Girl: A Memoir ASAP.