Yesterday is the day I've feared. After three fantastic writing days, yesterday The Drowning Girl sputtered and hit a speed bump. I did only 595 words. Even emptying the Word Bank, I was still 234 words short for yesterday. Today, I have to do much better and get back on track. I'm giving myself until the 7th (instead of until the 6th) to finish Chapter One (which, in the book, is just 1).
Spooky had to go out to get her new glasses (which look great), and when she got back home I was pretty panicked and flustered. But there was much good mail, which rather helped my spirits. Best of the lot was a Lovecraft pin, sent to me by my editor, Anne Sowards. The administrators of the World Fantasy Awards present each nominee with one of these pins, which are miniatures of the actual award (designed by Gahan Wilson). It made me very happy, and helps me feel better about The Red Tree, and now I shall always wear it on my lapel, whenever I have a lapel on which to wear it. There's is a photo behind the cut (yeah, my nail polish is looking rough):
Photograph Copyright © 2010 by Kathryn A. Pollnac
My thanks to everyone who bid on Study #2 for Yelllow, and to the winner of the auction. Likely, as mentioned already, it'll be at least a couple of months before I offer another painting. There's a large canvas I want to do next, and I don't intend to sell it.
Other good mail yesterday included my Shaharrazad mousepad. I've used the same mousepad since...forever. It's an Emily Strange mousepad I got when I was still living in Athens, round about 1996 or '97. And finally it had worn smooth and needed replacing. But getting thirteen or fourteen years out of a mousepad is surely to be counted as a good deal. Also, thanks to Steven Lubold, who sent us a copy of Current 93's Aleph at Hallucinatory Mountain, which I'm listening to at this very minute. The mail also included my contributor's copy of Steampunk Reloaded (edited by Ann and Jeff VanderMeer), which reprints "The Steam Dancer (1896)."
Last night, after dinner, we began the annual November reading of House of Leaves. This will be reading #5 or #6, I suppose. We also read Kelly Link's hilarious and charming "The Fairy Handbag" and her absolutely brilliant "Pretty Monsters." I cannot stress how much I adore "Pretty Monsters." The structure of the narrative is a trick I wish I'd thought of first, and the characters are so perfectly executed (make of that verb, executed, what you will). And these lines, from near the end, are wonderful:
Except you can't judge a book by its cover. Whether or not this story has a happy ending depends, of course, on who is reading it. Whether you are a wolf or a girl. A girl or a monster or both. Not everyone in a story gets a happy ending. Not everyone who reads a story feels the same way about how it ends. And if you go back to the beginning and read it again, you may discover it isn't the same story you thought you'd read. Stories shift their shape.
I also got some very, very good rp in CoX (thank you Sekhmet and Enth'lye). I've just about decided to cut all the Lovecraftian out of Erzébetta's backstory, and just avoid bastardized HPL whenever it crops up in the game. This is not the sort of thing about which I can compromise. I'm not even willing to try. Do it right, or do not bother, because doing it wrong is an insult to the source material. Oh, also, darkarmadillo managed, in yesterday's comments, in only three words, to perfectly summarize the essence of Lovecraft's cosmicism:
Nobody saves nothing.