Yesterday, Spooky and I spent another five hours or so on "The Maltese Unicorn." We read all the way through the story again, and then I made a number of last minute line edits and added a few passages. Then emailed it to the anthology's editor (both TBA), and now, mercifully, it is out of my hands.
This week will be devoured by everything I need to do to be ready for Readercon. I'm going up Thursday night. But I haven't bought anything like clothing since I did that reading at the Montauk Club in Brooklyn back on January 15th. I'm considering "dressing down," as what I wore last year seemed to inspire some degree of fear and loathing. And my hair...my hair has been left untended since January, as well. I'm having it cut and colored on Tuesday. I don't want to do any of these things. I hate shopping, and don't want to be futzed over by a hairdresser.
Anyway, as for Readercon 21, for those of you who are attending, here's my schedule:
Friday 12:00 Noon, RI: Event (60 min.)
A Dramatic Reading of A Midsummer Night's Dream, Acts I & II. Inanna Arthen, Ron
Drummond, Greer Gilman, Adam Golaski, Caitlin R. Kiernan, K. A. Laity, John Langan,
Shira Lipkin, Faye Ringel, Benjamin Rosenbaum, Sonya Taaffe, Eric M. Van.
Friday 1:00 PM, Salon F: Panel
New England: At Home to the Unheimlich?. F. Brett Cox, Elizabeth Hand (M), Caitlin
R. Kiernan, Faye Ringel, Paul Tremblay, Catherynne M. Valente.
Friday 2:00 PM, 4 PM RI: Event (60 min.)
A Dramatic Reading of A Midsummer Night's Dream, Acts I, II, IV & V. Inanna Arthen, Ron
Drummond, Scott Edelman, Jim Freund, Greer Gilman, Adam Golaski, Walter H. Hunt, Alaya
Dawn Johnson, Caitlin R. Kiernan, Mary Robinette Kowal, K. A. Laity, John Langan,Faye
Ringel, Benjamin Rosenbaum, Sonya Taaffe, Eric M. Van.
(I'll be reading the part of Oberon.)
Friday 4:00 PM: Autographing
Friday 5:00 PM, Salon F: Panel
David Foster Wallace Wanted Us to Do This Panel: Authoritativeness in Fiction.
Michael Dirda, Caitlin R. Kiernan, Sarah Langan, Eugene Mirabelli, James Morrow (L),
Catherynne M. Valente.
Saturday 12:00 Noon, RI: Talk / Discussion (60 min.)
Tree Networks and Transspecies Sex: Biology in Avatar Joan Slonczewski
Saturday 1:00 PM, NH / MA: Group Reading
Haunted Legends Group Reading (60 min.). Ellen Datlow (host), Caitlin R. Kiernan,
Kit Reed, Catherynne M. Valente.
Readings from Haunted Legends, an anthology of all new retellings of urban legends
and regional ghost stories, edited by Ellen Datlow and Nick Mamatas. The book will be
out in September from Tor Books.
Sunday 11:00 AM, Salon G: Event
The Shirley Jackson Awards: Nalo Hopkinson (MC), Nick Antosca, Ellen Datlow, Gemma
Files, Caitlin R. Kiernan, Robert Shearman, and Paul Witcover (nominees), F. Brett Cox
and John Langan (judges), Elizabeth Hand, Jack M. Haringa, Peter Straub, PaulTremblay
Sunday 1:00 PM, VT: Reading (60 min.)
from The Ammonite Violin & Others* (collection; Subterranean Press, June 2010).
Sunday 2:00 PM, Salon F: Panel
It Is, It Is, It Really Is Fiction: Gender and Sexuality in Contemporary F&SF. Caitlin
R. Kiernan, K. A. Laity (L), Shariann Lewitt, Benjamin Rosenbaum, Catherynne M. Valente.
*Actually, because of the delay at the printer, I'll will, instead, be reading "The Sea Troll's Daughter."
Day before yesterday, or the day before that, I came across a somewhat interesting (and generally very flattering) blog post about Silk and The Red Tree and my writing in general. I'll quote a short bit:
Caitlin Kiernan’s novels give abundant evidence of the author’s impressive research and learning. Within a single chapter, the reader may find references to sources as varied as Seneca, Nina Simone, Thoreau, Tom Waits, Joseph Campbell and H. P. Lovecraft. Kiernan often wields her impressive learning like a bludgeon and seems to take considerable satisfaction in doing so. The reader may feel both taunted and intimidated by this amazing author who frequently makes extravagant displays of learning. However, discerning readers will probably forgive this author for her occasional outbursts of unabashed arrogance and vulgarity (which reminds me of Harlan Ellison's tendency to chastise his readers for their ignorance). I'm sorry Caitlin. I'll try to do better.
This made me smile, even as it sort of grated on my nerves. But then, how often do I try to grate on the nerves even as I try to evoke a smile? I do think the post paints me more as the person I was in the mid nineties than the person I am now, fifteen years later, but whatever. Anyway, what's important is that bit at the end. That last line. Because that's all I've ever really asked from anyone (including myself): Try to do better, because hardly any of us ever do try to do better. Also, I'll remind you of a quote attributed to Bertolt Brecht. "Art is a hammer." Which is to say, sometimes I use the hammer to drive nails, and sometimes I use it to pull them out again. Sometimes I use it to prop open a door. And then sometimes, yeah, it's time to fucking bludgeon.