2. Yesterday, I began a new vignette, presently called "Untitled 35." I wrote only 624 words, for a number of reasons. Mostly, I got started very late in the day, around 3 p.m. (CaST). However, another problem goes back to what I have often said about science fiction (yes, "Untitled 35" is sf), the problem of linguistic evolution. Very few authors have ever managed to deal with this convincingly when writing about future societies. In my eyes, even Anthony Burgess' excellent A Clockwork Orange (1962) falls short in this regard, and Burgess was a trained linguist. Anyway, point being, in this new piece, a first-person narration, I am struggling to create a somewhat plausible "future language" for a late 21st Century Boston.
Of course, it needs to remain comprehensible to readers in 2010, which hobbles me considerably. But I am always galled by futuristic sf (even the stuff I like) that doesn't at least make some effort to deal with linguistic drift and evolution. Stories set two or three hundred years in the future, in which everyone speaks perfectly understandable English, and so forth; I consider this a far worse offense than "getting the science wrong" (though, technically, this is a matter of anthropology). Ideally, films and stories set that far ahead would need subtitles and glossaries. Think of it this way: Imagine you're living in 1820, in England, and somehow happen across a copy of William Gibson's Burning Chrome. Just how much sense would it make to you?
3. The final cover design for The Ammonite Violin & Others is now up at Subterranean Press, though I've neglected to post it here. Another great piece by Richard Kirk:
4. And now, another day begins. I apparently have no say in this, which seems odd.