Previous Entry | Next Entry

Quick and to the point.

Shaw
I boycotted the Oscars last night for reasons that had nothing whatsoever to do with Seth MacFarlane, whom I have always loathed. The man is the walking, breathing, yammering archetypal fucking douchebag. Truthfully, I had no idea he was hosting until last night. Then, this morning I began hearing of the sexist, racist, homophobic bullshit that the Academy allowed him to peddle via the ceremony. It's sickening. I'm not surprised by anything MacFarlane did. I'm surprised anyone ever imagined it was in any way appropriate to allow him to MC the awards. And, yeah. The Onion tweet aimed at Quvenzhane Wallis was indefensible. But at least the Onion quickly removed the tweet and apologized. The Academy, however, remains inexcusably silent.

I've long been an Oscar addict, and this sickens and saddens me.

But...

I actually intended to make this post to draw attention to the Two Worlds and In Between auction, which will be ending tomorrow. Again, the book is out of print, there are only a few I can sell, and it comes with a one of a kind "monster doodle." And, of course, I'll personalize a signature, if the winner so desires. I would also note that our digital camera – upon which we rely for eBay – may have just died, so we'll be having to replace it with money we make from eBay.

Thank you.

Oh, I'm also putting up early (circa 2006) drawings of Dancy, by Ted Naifeh, on the Alabaster Facebook page.

Me,
Aunt Beast

Comments

( 6 comments — Have your say! )
lois2037
Feb. 25th, 2013 11:32 pm (UTC)
I will go so far as to say that Seth McFarlane is a TOAD. Except that would insult the many fine, hopping creatures known as actual toads. I tuned in for a minute to see if anything interesting was happening, and saw that The Life of Pi had won for visual effects. As soon as they uttered the words, "... extreme financial difficulty." to explain why one of them was not there, their mic was cut off. And I turned off the set and went and did something interesting. I found out later that that company had gone bankrupt in the making of that movie.
ashlyme
Feb. 26th, 2013 12:08 am (UTC)
MacFarlane is an utter arsewipe. I agree with what you said about Lana Wachowski - gods know what bullshit he might've spouted at her. (Finally, finally we get CLOUD ATLAS over here! I need to find someone to go with me.)

Fascinating to see how Dancy's look has evolved!
Marisa Sandlin
Feb. 26th, 2013 12:12 am (UTC)
While a lot of blame can be laid on MacFarlane, an additional load of blame needs to be put on the Academy itself. MacFarlane is inexplicably one of the highest paid people in Hollywood so they can't plead ignorance that they didn't know what his schtick was like. And even sadder, it took a team of douchebags to write the show. So sadly, it was everyone involved, not just the emcee, being douchebags.

But hey, gotta get that 18-24 white male demographic, I suppose. Lord knows they are sooooo neglected in the entertainment industry.

Edited at 2013-02-26 12:12 am (UTC)
alumiere
Feb. 26th, 2013 12:33 am (UTC)
I haven't watched the Oscars in years, because the mostly white male academy is not representative of what I want to see in film. But I can't for the life of me figure out why they continue to pick such horrible hosts - we do notice and it reinforces our decision not to watch.
Marisa Sandlin
Feb. 26th, 2013 01:24 am (UTC)
Argh, someone on Metafilter pointed out that the majority of scenes for which that whole "boobs" musical number were scenes in which the female character was being victimized or in some instances, raped.

What. The. Fuck.
serizawa3000
Feb. 26th, 2013 01:36 am (UTC)
I didn't watch, and I kept wishing I still had my copy of Coldheart Canyon so I could open it up to the relevant pages where the main character (and possibly, by extension, Clive Barker) muses about "The Night of Nights, the Show of Shows... the circus..."

I think the first question to spring to mind was "Is Bruce Vilanch no longer the head writer for the Oscars?"

I take some small comfort in how back in 1999, Gods and Monsters won the Oscar for Best Adapted Screenplay, had Clive Barker as an executive producer, and starred an actual gay man as a gay man.
( 6 comments — Have your say! )