1. A few flurries Outside as I type. This is the north edge of the monster storm that walloped D.C. and Philadelphia yesterday. But we're not even expecting the tiniest bit of accumulation. Go figure.

2. The platypus says this is the best possible day on which to order The Ammonite Violin & Others, and being merely a lowly minion of the platypus, I am forced to relay hisherits every message. Remember, the limited edition comes with a FREE chapbook, "Sanderlings," the short-story set in Green Hill, RI, which I wrote back in November. Oh, and I did the cover for "Sanderlings." So, yeah. Do like the platypus says.

3. A question from James Maier, via email: Basically, my question is this: Which books are “grouped” together and in what order? i.e. the same characters, sequels, etc. Though I’m sure the novels all stand alone just fine, I kind of want to read along with the characters’ chronology and I’d like to avoid any more spoilers from reading Amazon’s descriptions.

Okay, it works something like this. Silk and Murder of Angels pretty much form a duology, the latter being a fairly straightforward sequel to the former. Same with Threshold and Low Red Moon, though you also get Daughter of Hounds, which sort of makes a trilogy of the whole affair. But it's a very loose sort of trilogy. And, of course, all five of these novels are interconnected here and there. There's also Alabaster, which very much ties into that "trilogy." Finally, yes, there's The Red Tree, which has echoes of many of the novels before it, but is definitely set apart. That said, if anyone wants my opinion, read The Red Tree first, then Daughter of Hounds, and after that...read them in what ever order pleases you.

4. Yesterday I butched up and risked that carnivorous sky all over again. That is I went Outside, second day in a row. I wanted to get photographs of the continuing demolition of the Bridge Street Bridge that crosses Wickenden Street (you will recall the photos from the early stages of the demolition that were included in my January 13th and January 14th entries). The bridge is mostly down, and you can now stand and look up at the sky where, for the better part of a century, the sky was hidden. There are photos below, behind the cut. The day was cold, numbing my fingers as I tried to get the shots. Afterwards, we headed to Eastside Marketplace and Whole Foods, then spent a little time picking over the bones of a Blockbuster Video that's going out of business any day now. I assume they all are, but I don't know that for sure. Oddly, we came away without buying any of the super-cheap DVDs (everything we wanted was scratched to hell and back), but I did get two books, very cheap, and I didn't even know Blockbuster had started selling books. The Smithsonian Book of Mars by Joseph M. Boyce (2002) and Postcards from Mars: The First Photographer on the Red Planet by Jim Bell (2006), because I can never have too many reference books on Mars. Oh, and we dropped by the post office in Olneyville, so I could send in the contracts on "The Steam Dancer (1896)" (to be reprinted in Steampunk Reloaded) and a copy of Peter's A Dark Matter to my mother.

5. We watched the new episode of Fringe last night, possibly one of the best so far, and refreshing after the disappointing "monster of the week" episodes of the previous three weeks.

6. I have a plan. I will spend the remainder of February writing the vignettes that will comprise Sirenia Digest 51 and 52, so that I can set aside all of March and April for the writing of The Wolf Who Cried Girl. I'd hoped to get the novel written this winter, but what I want and what happens are too often not the same.

7. I stayed up far too late last night, roleplaying in Insilico, because I just don't know how to walk away from story when it's coming at me. Xiang was hired as bartender at the Blue Ant (now that she's registered and legal), and has proven that androids can make perfectly fine White Russians. Later, after "work," there was intrigue and adventure and dizzying heights. I fucking adore this place.





View to the northeast.



View to the north.



Mural detail from south side of bridge. Warhol soup cans.



Mural detail from south side of bridge.



Central support column.



View to the southwest.



View to the north.



View to the north, old entrance onto I-95.



A fragment from one of the columns, and I had to take it away with me, though it weighs a good 10 pounds.



North side detail.



View to the south.

All photographs Copyright © 2010 by Caitlín R. Kiernan and Kathryn A. Pollnac



By the way...I just spent about an hour and a half on this LJ entry....