I don't think this will be much of an entry. I slept about seven and a half hours last night, still catching up. There were ominous dreams I cannot now recall.
Yesterday, I wrote the introduction for Joshi's Arthur Machen collection (to be releasing by Bloodletting Press). It still needs some tweaking here and there. I have three people I intend to ask to read it before I send it away to the publisher. Mostly, I hate writing these things. I'm a fiction writer, not a scholar or a commentator. Anyway, that was 2,269 words written yesterday, which would have, ordinarily, been a very good writing day.
Now, I need to get back to the ms. for The Red Tree, which is languishing in this box by my desk. However, first, today, we have to go down to Spooky's parents' place in Saunderstown to check on things. They're away in Montana, visiting her brother, and we agreed to keep an eye on the farm until they return. Make sure deer have not gotten in and eaten the vegetable garden. Water the cat. Stuff like that. We may spend tonight there. But I will take advantage of this distraction to get a good walk in the woods, in preparation for the next scene in the book. I do fear that people may find that The Red Tree lacks the "immediacy" of much of my writing, as the nature of this thing requires that the events which transpire are being written about by my fictive narrator, Sarah Crowe, after the fact (though usually on the same day they occur, or the next day). Instead of my usual present tense, third person, this novel presents a mix of past and present tense, first person.
Yesterday, I began a new round of antibiotics –– just penicillin —— and with luck, it'll help whatever's happening with that screwed up tooth, or at least buy me another month or two before I have to have the blasted thing pulled. There was a fairly bad seizure last night after I went to bed, and a small absence seizure two days back. I expect the country air will do me good.
Please have a look at the current eBay auctions. Spooky just relisted the limited edition of Frog Toes and Tentacles. Also, if you are so able, do please preorder the mass-market paperback of Daughter of Hounds. Editors who see good sales figures are happy editors, and happy editors mean less nervous authors. And yes, it's also available for the Kindle, and no I do not approve of the Kindle (for a host of reasons), but if that's really how you prefer to read, the sale is still appreciated. It's the "used" copies that aren't helpful. Finally, subpress is taking preorders for A is for Alien, which is probably the project I'm most excited about right now.
And the silence flies on its brief flight ——
A razor-sharp, crap-shoot affair.
And we light up our lives....
Lots of wonderful comments the last few days. Thank you for those. I'd still love to hear thoughts regarding "Derma Sutra (1891)" from Sirenia Digest #32, and I am quite pleased at the people who've told me it's one of my best pieces of erotica yet. I had no idea what to expect from that story. It's always the quiet ones....
Yesterday, I wrote the introduction for Joshi's Arthur Machen collection (to be releasing by Bloodletting Press). It still needs some tweaking here and there. I have three people I intend to ask to read it before I send it away to the publisher. Mostly, I hate writing these things. I'm a fiction writer, not a scholar or a commentator. Anyway, that was 2,269 words written yesterday, which would have, ordinarily, been a very good writing day.
Now, I need to get back to the ms. for The Red Tree, which is languishing in this box by my desk. However, first, today, we have to go down to Spooky's parents' place in Saunderstown to check on things. They're away in Montana, visiting her brother, and we agreed to keep an eye on the farm until they return. Make sure deer have not gotten in and eaten the vegetable garden. Water the cat. Stuff like that. We may spend tonight there. But I will take advantage of this distraction to get a good walk in the woods, in preparation for the next scene in the book. I do fear that people may find that The Red Tree lacks the "immediacy" of much of my writing, as the nature of this thing requires that the events which transpire are being written about by my fictive narrator, Sarah Crowe, after the fact (though usually on the same day they occur, or the next day). Instead of my usual present tense, third person, this novel presents a mix of past and present tense, first person.
Yesterday, I began a new round of antibiotics –– just penicillin —— and with luck, it'll help whatever's happening with that screwed up tooth, or at least buy me another month or two before I have to have the blasted thing pulled. There was a fairly bad seizure last night after I went to bed, and a small absence seizure two days back. I expect the country air will do me good.
Please have a look at the current eBay auctions. Spooky just relisted the limited edition of Frog Toes and Tentacles. Also, if you are so able, do please preorder the mass-market paperback of Daughter of Hounds. Editors who see good sales figures are happy editors, and happy editors mean less nervous authors. And yes, it's also available for the Kindle, and no I do not approve of the Kindle (for a host of reasons), but if that's really how you prefer to read, the sale is still appreciated. It's the "used" copies that aren't helpful. Finally, subpress is taking preorders for A is for Alien, which is probably the project I'm most excited about right now.
And the silence flies on its brief flight ——
A razor-sharp, crap-shoot affair.
And we light up our lives....
Lots of wonderful comments the last few days. Thank you for those. I'd still love to hear thoughts regarding "Derma Sutra (1891)" from Sirenia Digest #32, and I am quite pleased at the people who've told me it's one of my best pieces of erotica yet. I had no idea what to expect from that story. It's always the quiet ones....
- Location:Juventae Dorsa
- Mood:
glad to have the intro written - Music:David Bowie, "No Control"

Comments
Thank you.
But I disappeared inside it.
I think that's one of the most wonderful things anyone has ever said about how a piece of my writing affected them.
"Derma Sutra (1891)" made me squirm. The (shall we say) literary vengeance visited upon the self-styled avenger was certainly inventive. And that little touch regarding variations in tattoo coloring (how "a sanguine assortment of reds have been used between her legs") was particularly discomfiting ...
This story, like others in your oeuvre, causes me to ponder the connection between the horrific and the sexual, between the disturbing and the erotic. There *is* a connection. Although what it is, exactly ..?
Ever read Delany's THE MAD MAN? Or any other transgressive fiction that made an impression on you?
I don't think I've ever read anything by Delany. As for the sort of stuff I'm doing for the digest, off the top of my head, the only thing I've read that's in the ballpark is Angela Carter and some of Sonya Taaffe's stories, though there must surely be others out there.
This story, like others in your oeuvre, causes me to ponder the connection between the horrific and the sexual, between the disturbing and the erotic. There *is* a connection. Although what it is, exactly ..?
I'm sure volumes have been written on this. Sex, life, horror, death, creation, destruction, pleasure, pain, order, chaos, etc. To me, sex is inherently tied to all the aspects of horror.
"Derma Sutra (1891)" made me squirm. The (shall we say) literary vengeance visited upon the self-styled avenger was certainly inventive. And that little touch regarding variations in tattoo coloring (how "a sanguine assortment of reds have been used between her legs") was particularly discomfiting ...
I was rather fond of that detail myself.
Edited at 2008-08-06 01:02 am (UTC)
Then allow me to recommend NOVA (Bantam/Doubleday 1968), a short read and arguably one of the most structurally flawless novels ever written in sci-fi (or any genre). A lot of queer academics consider Delany de rigeur these days (for what little that's worth) but, ivory tower aside, the man just rocks.
re: sex and horror - "I'm sure volumes have been written on this."
I'm sure, but ... The Natives on the rez I inhabited for a while in Arizona used to prepare for the arrival of visiting academics by playing a fireside game they called "Stump the Anthro." Things "written on" fascinating topics tend to pale in comparison to anecdotal data ...
"To me, sex is inherently tied to all the aspects of horror."
Whereas in my case, sex is just occasionally horrific. ;-)
It was longer and then again you suddenly turn the last page and are surprised. Not that i say it was too short. No need to write more about that. What came before and the more that could come after will be made in my head. I loved how you played/jumped/skipped with phrases in different languages. Delightful.
And then sex. Both the first orgasm and the description at the end contain the theme of sex tearing down inner borders that define a "self" That is a way i like to see it too.